29 June 2009

Better Guitar: Lessons From Zen Pottery

What does Chopin, pottery, and a rubbish bin have to do with playing better guitar? Some illumination from Zen Guitar Player helps to explain,

Is the old saying "Quantity does not equal Quality" really true? Or is it just a myth that those who have achieved success would rather have you believe so that their unique genius is looked upon as the reason for their achievements?
Another saying advises writers "to write for the rubbish bin, a lot" is in order to produce good writing. To come up with a few gems the writer has to ditch a lot of what is written.

If this is true for writer's then it's also true for guitar players. Those hours of solitary practice to perfect a piece are just like writing that goes in the rubbish bin. So the message is, to play a few things well you have to spend a lot of time playing lots of things - sometimes badly - to hone a few playing pearls.

Oh, and you might still be wondering where Chopin and pottery comes in? To discover the answer read Master the Guitar, Quantity Leads to Quality on Guitar Player Zen.

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26 June 2009

Learn Guitar: Should You Memorize The Fretboard?

Can you learn guitar without memorizing the notes of the fretboard?

You'll come across lots of ads for guitar fretboard learning systems on guitar sites, but do you really need them? Well, depending on what you plan to play, maybe not...

Want To Strum Simple Songs?

If your only ambition is to strum favourite songs with open chords your fingers may never stray beyond the third fret. If this is you there's little need to learn the notes all the way up to the 21st fret.

Play By Numbers

If you do plan to venture further up the fretboard you can get by simply playing the numbers. Guitar tab uses numbers to show you where to put your fingers. You don't have to know what the notes you play are, you simply put your fingers in the places you're told to.

Of course, to become a good musician you need to learn what's behind the numbers. But not everybody wants to dedicate the effort needed. Some are happy to simply learn some music by rote and reproduce it, and that's fine. If that's your goal, then you can get by with the numbers.

Learn Fretboard As You Go

Music theory is generally not useful to you until you can play it and this holds true for your fretboard. If you can't play stuff up at the tenth fret, then knowing the names of the notes there isn't really going to do you a whole lot of good.

You don't have to learn all the notes on the fretboard just because they are there. You can learn them as and when you need instead.

Learning bar chords? Then it's the time to learn the root notes along the fretboard so you can locate the place to play chords. Learning a scale? This is the opportunity to learn the notes in the positions you practice.

Each time you learn a new chord or scale position, each time you learn the pattern of a new interval on the guitar neck, you learn your fretboard. You'll also find it easier to memorize things because you have some practical purpose to link the knowledge to.

Memorize Your Fretboard?

No, you don't really have to memorize your fretboard. It is quite easy to play a lot of things on guitar without detailed knowledge of the notes on your fretboard.

But do understand that you limit your musical skill and creativity if you choose to play this way. So think carefully about what you want to get out of your guitar playing before you decide to ignore your fretboard.

Next week on Not Playing Guitar you can discover lots of useful ways to learn your fretboard. If you want to improve your fretboard knowledge then sign-up for updates by email or RSS so you don't miss out.

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22 June 2009

5 Reasons to Learn Your Guitar Fretboard

There are two kinds of guitarist, those who know their fretboard and those who don't. If you're in the latter camp you might be curious to know what advantages you are missing out on.

Spend much time on guitar sites and you'll see plenty of adverts for methods to have you memorize your guitar fretboard easily and quickly. With all these offers it surely seems that knowing the fretboard is important. But just what are the reasons why? Here are some of the benefits you will you get from better fretboard knowledge.

1. Find Chords Easily

When you know your fretboard you can easily find chords without having to think for ages about it. This means you can glance over a song's chord chart and instantly and easily play it.

You can also find chord positions that are close to each other so you don't have to jump around the fretboard as much. Alternatively, if you play with another guitarist you can find a different place to play the chords so you don't both play the same thing.

2. Find Scales Anywhere

Being able to build a scale from any place on the fretboard is a useful skill. Wherever you find your fingers you will know how to create little scale licks or melodies to embellish your chord playing. Of course, this ability also comes in handy for playing solos and leads on any song.

3. Play What You Hear

When you develop your ears with ear training you can easily apply your skills to your guitar to play the notes you hear. A good knowledge of the notes on your fretboard helps to reinforce ear training. As you hear notes with your ears you can instantly see where they occur on the fretboard which gives you an additional reference for comparing notes.

Building your ear skills also helps to reinforce your fretboard knowledge as they are simply two different ways of thinking about notes in music.
The two skills provide representations of notes for three of your senses, the sound, the vision of where the note occurs, and the feel of playing that note.

4. Play What You Read

When you know how to play any note or chord on the fretboard sight reading is made easier. If you have to think much about how you are going to play the notes you read then you give yourself a lot of mental work to do. You will be unable to play fast enough while you read and probably make lots of mistakes.

5. The Language Of Music

When you can think easily in terms of notes instead of fretboard positions or patterns you can communicate with other musicians more easily. You can't communicate with a trumpet player by talkign about the "5th fret 2nd string", but if you tell him you play an E he'll instantly know what you're talking about.

Notes and intervals are the language of music, not the guitar fretboard.

Of course, simply memorizing the names of all the notes and their fretboard positions won't automatically make you a better player. You could memorize all the note positions without being a guitar player. You have to learn how to play and when to play the notes, how they relate to each other, understand chord shapes, intervals, and scales.

But couple the skills of playing chords, scales and licks with detailed and instant knowledge of the notes on your fretboard and you will take your guitar playing to a new level.

Gary

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19 June 2009

Change Your Guitar Playing

Are you stuck in a guitar playing rut? Happens to us all sometimes, so here are a two different ways to kick your playing into a new area and break out of your rut.

Resisting Change

We have a natural tendency to resist change whenever we face it. Our minds are very good at putting up all sorts of barriers to stop us making a change. One effective barrier we create for ourselves is the idea that change is hard.

There you are a comfortable guitar player with knowledge of a certain playing style. You want to learn a new style, but you've looked at a couple of tutorials and it just seems so complex.

You'll have lots of new chords to learn, and different scales and positions, and improvisation, that sounds really hard. Maybe I'm not good enough, or I don't have time for that. Instead I'll just carry on with what I'm good at already...

Change One Thing

Instead of seeing the change as a huge project where you have to learn lots of new things, look for a single thing to change. Keep some of the things you know already, but change one thing and your playing can tip into a whole new dimension. Here are some examples, use them to help you find your own change points.

  • Keep the guitar, but change what you make with it, e.g. play flamenco on a distorted electric guitar.
  • Keep the chords you know, but fingerpick them instead of strumming.
  • Keep rhythm patterns and use them on songs of a different style, e.g. play folk songs with reggae rhythm patterns.
  • Keep your finger style picking, but play funk songs and rhythms.
  • Keep blues chords and play them in a percussive binary rhythm style to turn blues into funk.
  • Keep chord progressions, but use new chord voicings.
  • Keep your guitar, but change the pickups.
  • Keep the guitar, but change the tuning, e.g. if you play in standard tuning try drop-D, or open G.

These are just a few change point suggestions to get you thinking. Create your own to find new ground for your guitar playing. List the individual things you have or know already now, then imagine which you could change or use differently.

Still not satisfied? Then how about this high power technique...

Change Everything

If a change to one thing doesn't bring you the fresh new perspective and enthusiasm you are looking for then maybe it's time for a bigger renewal. Why not try changing everything?

Sell that Strat, buy yourself a flamenco guitar and learn a whole new style. Or quit strumming those wimpy folk songs and trade your acoustic for some humbuckers and a Marshall stack.

What about you, what's your technique for making a change to your guitar playing? Why not share your tips in a comment.

Gary

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18 June 2009

Learn Your Guitar Fretboard

Today on Not Playing Guitar you can learn about, well, not playing guitar, but still learning stuff to help you play better anyway. Click over to Jemsite where you can read my article on Learning Your Fretboard, an excellent way to spend time when you can't be with your guitar.

Gary

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17 June 2009

Here's a lesson that shows you how to mix strums and arpeggios to create great sounding guitar accompaniments.

Guitar chord arpeggios are a technique in which the notes of a chord are played one at a time. They are most often associated with soft ballads or folk songs. But one good way of using arpeggios is to mix them with strums to give them a fuller and more powerful sound.

This style of playing is used in many rock songs. It helps to make a richer accompaniment than simple strumming and offers an interesting technical challenge for your picking skills.

The lesson presents several strum and arpeggio patterns over chords from the key of G. You can practice the individual patterns and then when you have mastered them string them together to create full chord progressions.

Strum And Arpeggio Pattern 1

This pattern over a G major chord uses strums at the beginning and end of the bar. You can play this arpeggio with a sweep of your pick across the strings from the fourth to the first.

G

1 & 2 & 3 & 4 &
-1---------1-1-1--
-0-------0---0-0--
-0-----0-----0-0--
-0---0-------0----
-2-----------2----
-3-----------3----

Strum And Arpeggio Pattern 2

Another pattern over a G chord. This time beats two and four are emphasized with strums. Use alternating picking for the arpeggio section.

G

1 & 2 & 3 & 4
-----1--------1--
-----0----0---0--
---0-0--0---0-0--
-----0--------0--
-----2--------2--
-3---3--------3--

Strum And Arpeggio Pattern 3

This pattern on a C chord is more sparse than the previous two, only one strum is played in the bar. Again, use alternate picking for arpeggios.

C

1 & 2 & 3 & 4 &
-------------0--0-----------
-------1-----1-----1--------
----0-----0--0--------0-----
-------------2--------------
-3-----------3--------------
----------------------------

Strum And Arpeggio Pattern 4

This pattern on a E minor chord, vi in the key of G, uses only a couple of arpeggiated notes.

E

1 & 2 & 3 & 4
---0---------0--
-0---0---0---0--
-0-------0---0--
-2-------2---2--
-2--------------
-0--------------


Strum And Arpeggio Pattern 5

This pattern on a C chord creates some added interest (and challenge) by mixing some hammer-ons with the arpeggios.

C

-0--0---------0-----0-------
-1----0h1-----1—0h1----1----
-0---------0--0-------------
-2------------2-------------
-3------------3-------------
----------------------------

Strum And Arpeggio Pattern 6

The final pattern is a simple arpeggio on a D chord. Note the little syncopated beat at the end of the pattern.

D

1 & 2 & 3 & 4 &
-2--2-----2---2--2----------
-3-----3------3—-------3----
-2------------2-------------
-0------------0-------------
----------------------------
----------------------------


Learn to mix up strums and arpeggios in your chord accompaniments. It is a valuable skill that will let you create more interesting backing sounds.

Strum and arpeggio playing is also a good way to build your picking skills whether you play with your fingers or with a guitar pick. Be sure to practice with a metronome or drum track to ensure you keep an even rhythm when you switch between strums and arpeggio lines.


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16 June 2009

3 Steps to Fast Chord Changes


Here is an article that shares tips on how to achieve fast chord changes as you learn guitar. My experience with speeding up chord changes is that you have to slow down and get things right first. When you perfect the chord change movements speed increases easily with regular practice.

How Fast is Fast?

Your first step is to set the target your want to achieve. Decide the chords you want to change and the tempo you need to play them at.

Perform A Diagnostic Check

Once you know the tempo at which you want to change chords smoothly your next step is to find out where you are now. The tool to do this is a metronome.

Use a metronome to learn how fast you can change the chords now. Set a tempo near to your target speed and play the chords you chose, changing every four beats.
If you can't change this fast reduce the speed until you can change without error.

Now slow down your metronome a few more steps. Analyse your movements in detail. Do all your fingers move immediately and smoothly into place? Do any of your fingers make unnecessary movements away from the strings? Study how you make the chord changes and learn where you go wrong.

Your aim should be to have all your fingers move the least possible away from the strings. The less distance your fingers travel the easier it will be to change chords fast. You have to start by consciously figuring out the best movements for getting your fingers from one chord position into another. Then you can consciously practice those movements using the techniques described below.

Mastering the Movements

I use a number of practice techniques to master chord change movements. The important thing with all of these is to work slowly. You need lots of conscious attention to ensure you move your fingers correctly. You can only achieve this at very low speeds.

Now, here are four tips to practice the chord changes effectively.

1. Fret hand practice. Practice the change with only your fretting hand.

2. Practice without pressure. Place your fingers only lightly on the strings without pressing down. This helps you to focus on simply getting the fingers into the right place.

3. Static chord holding. Place your fingers in the correct chord position and simply hold them there. This is a good way to get used to the feel of particular chord positions. When you can rely on your feel you don't need to rely so much on your eyes.

4. Grab the chord in the air. Release the chord and let your hand drop to your lap. Then move your hand back up and form the chord in the air before your fingers reach the neck. All your fingers should land on the strings in the right place at the same time. Repeat several times for each chord.

5. Fast chord sequences. Move your fingers through a sequence of chord positions one per beat. This technique is best when you are already good at the individual changes and want to get used to thinking ahead to new positions quickly.

Full Speed Ahead

Once you master the exercises above at slow speed gradually increment the tempo of the metronome, one or two steps at a time. If at any point your fingers start to get sloppy or you make mistakes again, drop back down a step or two. It's important to always practice at a speed where you make the finger movements correctly.

These exercises can help you to develop your ability to play fast chord changes. Work regularly and dedicate a little time to master each chord or set of chords before you move on to the next.

For all this work a metronome is an essential tool. Make sure you choose one that makes it easy to adjust the tempo as you work.

Do you know any other fast chord change exercises I should have included? If you have a good exercise to build fast chord changes please share it by leaving a comment below.

Gary

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12 June 2009

Learn Guitar: Major And Minor Chords

Here's a simple tutorial that shows you how major and minor chords are formed from the notes of a scale.

Majors And Minor Chords

Major chords are used in many songs and have a happy feel to them. Each major key has three major chords that are often used in songs, the so-called three chord song. They occur on the first, fourth and fifth degrees of the major key.

Minor chords have a sad or melancholy feel to them. In each major key there are also three minor chords that occur on the second, third and sixth degrees of the scale.

To understand why the chords on these degrees are either major or minor let's take a look at the major scale and see how the chords are built from it.

The Major Scale

The major scale contains seven notes separated by intervals defined by the major scale formula. Starting from the root note of the scale the intervals between the successive notes are whole step, whole step, half step, whole step, whole step, whole step, half step.

Let's take the scale of C major as an example, the notes and intervals are as follows.

C - whole - D - whole - E - half - F - whole - G - whole - A - whole - B - half - C

This scale is the base of the key of C major. In this key notes from the C major scale are used to create the melody and chords (harmony) of the music. A chord can be built on each of the scale's notes, depending on the intervals between the notes the result is either a major or a minor chord. Let's start by looking at a major chord.

Building a Major Chord

A major chord uses three notes from the scale, the first, third and fifth. The first note is the root of the chord and gives it its name. The third and the fifth are found by counting up the scale to the third and fifth notes from the root.

If we start from the C note of the major scale above you can see that the third and fifth notes are E and G. There are two whole steps from the C to the E, and seven half steps from the C to the G.

The interval of two whole steps to the third gives the chord its major sound. Now let's take a look at what happens when we build a chord in the same way starting on the second degree of the scale, D.

Building a Minor Chord

Starting from the D note we count up the scale which gives us an F for the third and an A for the fifth. The intervals between the D and these notes are three half steps (or one and a half whole steps) and seven half steps respectively.

Notice that this time the distance between the chord's root and its third is a half step less than for the C chord. The interval to the fifth remains the same. This three half step interval gives the chord its minor sound, the third is known as a minor third.

These two examples have shown you how chords are built from the notes of a scale in a major key. The chords built on the first, fourth and fifth degrees of the scale will be major chords, and those on the second, third and sixth degrees minor.

You should now know why this is so for the chords on the first and second degrees. Have a go at constructing the chords on the other degrees yourself to understand why the major and minor chords occur where they do in every key.


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10 June 2009

Guitar String Cleaning, Swipe It

Do you hate grimy guitar strings? I do, but I also hate changing my strings, so I'm always on the lookout for a good way to prolong their life so I can put off this chore. Here's a new solution that claims 3 or 4 times longer string life, with a simple swipe.

The swipe is a patented new micro fibre designed to clean grime and sweat from metallic instrument strings. You can use it on your guitar, bass, violin, cello or any other stringed instrument.

The nice thing about the Swipe is that it uses no chemicals, so is less likely to harm your instrument finish, and the planet too. It is made of a very dense micro fibre 16 times denser than silk. This material is very hard wearing, but is soft and won't scratch your guitar.

The Swipe has a handy curved shape so it can clean underneath your guitar strings as well as their surface. It is sold with a separate cloth for the back of the neck and instrument body.

All that for the very reasonable price of £4.99/$7.20/€5.30 including worldwide postage and packing. Learn more or order The Swipe.

Gary

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9 June 2009

Thinking About Music

Learning how to improve your guitar playing while not playing guitar is one of the themes of this blog. Today on the Jemsite blog you can read about one easy to use improvement tool that we all carry around every day. Head over to Jemsite and learn how you benefit when you Think About Music, A Lot.

Gary

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8 June 2009

3 Steps to Better Guitar Strums


When you begin guitar you can obtain a better sound and make your songs sound more interesting by improving your guitar strumming skills.

You might have started with simple down strums as you learned your first chords and songs. This lesson shows you three simple steps with which you can build your strumming skills on simple two or three chord songs.

Eighth Note Strums

The first thing to master after the basic down strums is eighth note strumming. To understand eighth notes you must know that musical bars are most commonly divided into four beats, or four quarters. So each of these beats is called a quarter note. When you strum down four times on your basic open chords you are playing quarter notes.

Eighth notes are what you get when you divide these quarter note beats into two. The simplest way to play them is to strum down and up. You count eighth notes by saying "one and two and three and four and" as you strum down on the one, two, three and four, and up on each and.

Practice eighth note strums by taking a series of simple chords or a song you know and playing through it with up and down strums. Aim to develop a steady rhythm with evenly spaced down and up strokes.

Make Some Space

Once you've got the hang of strumming eighth notes up and down you can make your rhythm patterns more interesting by leaving some space in them. Keep your hand moving up and down in the steady eighth note rhythm, but instead of strumming the strings on each stroke you pass by them without striking on some strokes.

Here are some examples for you to try. The beats shown in brackets are not played, simply pass by the strings with your pick and let the strings ring from the previous strum, don't try to stop them. Remember to keep your hand moving up and down evenly on each eighth note beat even when you don't strum the strings.
  • One (and) two and (three) and four (and)
  • One and two (and) (three) and four and
  • One and (two) and (three) and four (and)
When you are comfortable with these examples make up some more of your own.

Skip Some Strings

To take your strumming a little further you can start to play with different strings on different strokes. You don't have to strum all the strings all the time. When you strum only a few strings at a time your sound will have more variety and interest for the listener.

Your main focus should be on striking either the bass strings - the fourth, fifth and sixth - or the treble strings - the bottom three. A good way to play these is to strike a bass string or two on the one and/or three, and to strike mostly treble strings on the other strokes.

Try this out with the rhythm patterns above.

Dedicate some of your practice time to learn new strum patterns and work on making them more interesting by using space and dynamics, or by strumming only a few strings at a time. You will discover that with only a few simple guitar strumming skills you can improve the sound of your two and three chord songs enormously.

Gary

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5 June 2009

Guitar Practice Schedule

Inspired by the Curt's recent thoughts on practice routines at the Rock House Blog today I'm going to share my current guitar practice routine with you. My routine changes with time depending on how much time I have, how motivated to learn new things I am, and what my current playing goals or commitments are.

Here is my current routine, it comes in two parts.

Practice Schedule

The first part of the new routine is a regular schedule. My goal is 30 minutes per day every day of the week. I divide this time into two sessions, either 15 minutes each or 20 and 10.

The first is dedicated to serious practice, working on improving my playing through focused practice of specific skills or songs. The second session can either be more of the same, but sometimes I mix it with a bit of fun, or focus entirely on fun.

Practice Tasks

The second ingredient of my routine is a list of 10 practice tasks chosen to give me different things to work on.

The variety not only helps make practice more interesting, I also find it more effective. If I keep hammering away at the same problem I don't always make progress. But when I practice a bit, do something else, then come back to the problem I often progress faster.

I work through the tasks on the list in order, repeating each exercise or song no more than three times. I don't finish all the items in one day, so I simply pick up where I left off the next time.

Here is a copy of my list right now (did I mention that I like blues?).

  1. The Thrill Is Gone
  2. Hard Time Killing Floor
  3. Mary Had A Little Lamb
  4. Penta major licks around chord shapes
  5. Boogie Chillen
  6. Nobody Knows You When You're Down And Out
  7. Key To The Highway
  8. Worried Life Blues
  9. Funky Blues Fills on E, D, C, F, G @110bpm
  10. 6th string 7th chord position

Tip For Avoiding Distraction

The list helps me to focus on what I need to work on and not get distracted. Something I find useful for avoiding distraction is a scrap list where I note new ideas or exercises. I don't work on any of them until I've finished with the current list (but sometimes I cheat a little).

Iterate

When the time comes I make a new list of 10 things to practice. I might include something from the scrap list, but often these don't seem so interesting any more. Again the scrap list helps me spend less time on distractions and more time on the things that really matter for my guitar goals.

So that's my current guitar practice routine. It works well and is very simple. That means less time spent twiddling with the plan and more time spent on practice.

What's your guitar practice routine? If you have a guitar site why not leave a comment with a link to your page sharing your practice routine so we can all learn from it.

Gary

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3 June 2009

How to Fix Guitar Mistakes Effectively

We all make mistakes as we learn guitar. The way we deal with them can make a big difference to how well we progress. Here's a technique that can improve your ability to fix playing mistakes and progress to new levels of guitar playing.

What Do You Do With Your Mistakes?

What do you do when you make a mistake? If you're anything like me then most of the time you simply repeat the passage in the hope it will somehow go away with time. But this is not necessarily the most effective approach. You might have noticed that you can practice a mistake like this for a long time before you get rid of it.

A more effective approach is to face our mistakes and deal with them in a systematic way. Here's one system that I've found gives good results.

Acknowledge Your Mistake

Start to deal with your mistake by acknowledging it and the frustration it causes you. Often, we give these little mistakes almost no attention, we simply restart the exercise again.

But when you take a moment to acknowledge the mistake it becomes more real. You begin to really notice its existence and in turn you can start to deal with it. Without an acknowledgement you can't treat the mistake seriously to find solutions to it.

Once you acknowledge the mistake take a moment to think about the frustration it causes you. Then let go of this frustration. Tell yourself that the mistake is not part of you, it's simply a problem to change as you learn guitar.

Figure Out A Solution

Once you've acknowledged your mistake to make it real and let go of the frustration it causes you take a pen and paper and answer three questions to figure out how you will stop making this mistake.

1. Ask yourself why you make the mistake.

Play the bar where you make it and pay close attention to what happens. What exactly is going wrong?

Identify the finger that is not in the right place at the right time. Maybe your arm is in the wrong position, or maybe the problem is in your mind which is not clear about exactly where you are going.

2. Write down what you need to do differently to avoid this mistake.

Write down exactly what you need to do differently to fix the problem you identified. Include enough detail that you can really "see" the solution in your mind.

3. Write down how you will do what you need to.

OK, so now you know what you want to do differently, but how are you going to get there? You need to make a change, a change that eliminates the problem and replaces it with correct movements.

Maybe you need to practice the movement in a particular way to isolate and fix the problem. Maybe you need to do some visualization exercises to get the right movement firmly fixed in your mind. Whatever it is you plan to do to fix the problem, write it down.

Implement The Solution

Keep your answers someplace you can review them regularly, at least once per day. Fix the solution firmly in your mind so when practice time rolls around you know exactly what to do to fix your mistake.

Simply repeating an exercise that causes a mistake in the hope it will go away might eventually cure it. But it is not the most effective solution. To fix playing mistakes fast and effectively make a conscious effort to understand them and develop a solution. Try this approach on your next mistake and discover how much time you can save yourself.

Gary

Learn acoustic guitar with 153 step by step video lessons, acoustic jam tracks, ear training and music reading software. From beginner through to advanced player with Jamorama Acoustic complete learning system.

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1 June 2009

Chord Change Practice Drills


Chord change drills are an easy system for ensuring thorough chord practice. When you can easily play many chords learning new songs, fitting in with a band or jamming becomes easier.

How Well Prepared Are You?

Just as an olymic final will be won by the best prepared and best trained athletes the best musical performances will be given by the best prepared guitarists. Training makes the difference between poor, average and great players.

You might not be aiming for guitar olympics any time soon, but you surely want to play the best you can. To do this you need a good training routine, just like an olympic athlete.

You might think chord drills are a little over the top for guitar practice. After all, it's not so complicated, just pick up the guitar and play through a few songs or chord progressions.

But consider just how many different chord changes there are to practice. For example, the seven chords of any major key give you 42 chord changes to work on - and that's without counting different fingerings, inversions or extensions of the chords. Do you know you've practiced all 42 changes enough to play them well?

Chord Drills

It should be clear that you need a disciplined approach to master all those chord changes. Discipline is a word that might not sound very rock 'n' roll, but simple drills that help you track the chords and changes you practice will lead to better guitar playing.

There are many different ways to create chord drills, so disciplined doesn't have to mean dull and dreary. Here are a few ideas you can use to start, you should find many more of your own to suit whatever your practice aims are.

Key Drills

Key wise drills help you to work through all the chords in a particular key. Choose your key, pick a chord type, e.g. open or bar chords, and play all the changes between the chords.

Position Drills

Position drills get you to work on all the positions of a single chord. Play the chord in open and closed positions all over the fretboard.

Inversion Drills

Similar to position drills but you work with different inversions of the chord. You might work with one chord or choose several from a key or progression.

Progression Drills

Choose a progression such as I - IV - V or ii - V - I and play through the chords in all the possible orders. You can also play the progression using different positions, inversions or keys.

Over To You

Good chord practice drills help you to practice chord changes effectively. They take away the guesswork and help you avoid forgetting or ignoring chord changes. Drills are also a simple way to measure progress as you note the number of drills you can play successfully.

Now it's up to you, if you're serious about improving your guitar chord playing, create a chord drill and get practicing. I'd love to hear about your experience with chord drills, please leave a comment to let me know how they helped you.

Gary

Learn acoustic guitar with 153 step by step video lessons, acoustic jam tracks, ear training and music reading software. From beginner through to advanced player with Jamorama Acoustic complete learning system.

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