30 June 2010

What Are Your Summer Guitar Projects?

Wow, I hardly noticed how fast spring has whizzed by, it's almost end of June and summer holidays will soon be upon us. My band's rehearsal rooms closes down and we'll all be off on family holidays at different times. The usual routine of learning songs with my band draws to a temporary halt and it's time for a break.

But a break doesn't mean I stop playing guitar. The saying goes that a change is as good as a rest, but I find that a change is even better.

For me the summer is a time to break out of the usual things and try out some new guitar projects. Here are some projects I'm hoping to find time for this summer.

Learn some Ukulele

I discovered what a great holiday companion a ukulele is last summer. Much smaller and easier to transport than a guitar it makes a fun piece of fretboard to play with while I'm away.

The ukulele neck is essentially like having the bottom four strings of your guitar starting at the 5th fret. It's a great tool for getting a new perspective on some chord and scale fingerings.

You can work out how to play all your favourite guitar songs using familiar chord shapes or get yourself a ukulele method and study ukulele chords and learn some new songs.

It's small enough that you can even play and sing along with the kids during the car journey. It makes a nice change from the radio or CDs (but don't try this while you're driving though).

Double Stops And Chord Fragments

When I'm back home after the family holiday I plan to work on integrating double stops and chord fragments into my blues improvising. I hope to spice up my single notes lines with some double stop 3rds, 4ths and 6ths as well as fragments from chords and triads.

Getting To Grips With Triads

And talking of triads, Fretterverse gave some nice ideas on upper structure triad soloing. Looks like a much more useful way of twisting my mind on the beach than those books of summer sudoku puzzles.

Slide Playing

Learning to play some slide guitar has been one of my ambitions for a long time. So I've got myself a slide so I can have a go at a few slide techniques and licks on acoustic guitar.

What About You?

This summer I'll be spending some time having fun with these little guitar projects to make a change from my usual playing. What about you, what guitar projects have you lined up this summer? I'd love to hear about them in a comment below...

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Photo by skyseeker.

29 June 2010

Easy Guitar Rhythm Riff On A Major Chord

Here's a simple rhythm guitar riff to play over an open position A major chord. Learning to vary basic strumming patterns by integrating riffs like these into your playing will give you lots of options to create more interesting rhythm guitar parts.

This example uses a few single note lines mixed with the chord strums to create some space and movement.



To get the rhythm placement right make sure you use steady up and down strumming and pick the notes on the down beats with downward pick strokes and up strokes for the notes on the up beats.

Don't strum the notes on the first beat of the second measure, simply let them ring on from the upstroke at the end of the previous measure.

The suggested target tempo for this guitar riff is from 100 to 110 bpm. But if you can only play it at a slower tempo that's fine. Remember to start out slowly and build up speed gradually.

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28 June 2010

Guitar Facts - 4 Types of Guitars

Since their origins in the ancient east almost 5000 years ago guitars have evolved into many shapes, sizes and styles. The modern guitar is most commonly found in four familiar forms, each most suited to the demands of players in different styles of music.


In this article we'll look at four kinds of guitar and their usual styles of music. Although there is little reason not to try a guitar in a style it's not usually associated with most players stick to the kind of guitar most suited to the style of music they wish to play. If you plan to learn guitar you will find it easiest if you choose an instrument suited to your preferred musical style.

Nylon String Classical Guitar

Since Antonio Torres Jurado designed and built what is widely recognized as the first classical guitar in Seville in the mid nineteenth century the form of this instrument has changed little.

The classical guitar's familiar silhouette is defined by the balanced proportions of its rounded body. The top is often made of cedar which gives a soft warm sound while the sides and back are traditionally composed of rosewood.

Classical guitars possess wide necks suited to finger picking individual notes. The nylon strings, originally made from cat gut, are broader and softer than their steel string equivalents which make them easier on beginner fingers.

The guitar is most commonly used to play classical or flamenco guitar but is also found in folk, Latin and pop styles. The softer sound of nylon strings is favoured by many jazz guitarists.

The classical guitar's strings do not work well with bending techniques used in blues and rock music.

Steel String Acoustic Guitar

Steel strings for acoustic guitar were made popular by guitar builder C.F. Martin in the early 20th century. Martin moved to the USA from his native Germany in 1833 and used an X bracing system popular in America for the tops of his acoustic guitars.

Martin added steel strings in response to demands from players for louder guitars. The higher tension of the steel strings was supported by the stronger X bracing system used rather than the fan bracing more popular with European classical guitar builders at the time.

The steel string acoustic has evolved into a number of different shapes and sizes. The most common found today are concert, jumbo and dreadnought forms. All can be found in cutaway versions that allow easier access to the higher frets for soloing.

The steel string acoustic guitar has a flat top. Its neck is typically narrower and more rounded than classical guitars, although the width, profile and length of the neck vary depending on the guitar's intended purpose.

The steel string acoustic is one of the most versatile guitars and can be used to play just about any style. It is most commonly found in blues, folk, bluegrass, pop, rock and country music.

Hollow Body Electric Guitar

Despite steel strings, acoustic guitars were still not loud enough in large bands or noisy joints. But the arrival of electrified amplification in the 1930s created a real revolution for guitar players.

Electric guitars used a magnetic pickup fixed to the guitar's table to create a small current when the strings vibrated in its magnetic field. This current is then amplified by an external amplifier to produce sound.

Electric amplification gave guitars more volume and sustain. It also permitted use of lighter strings at lower tension which opened up lots of new playing techniques.

This kind of guitar is used in all modern styles but is most commonly associated with jazz, blues and rock 'n' roll.

Solid Body Electric Guitar

Early amplified guitars caused feedback problems because of their hollow body construction and loud playing volumes. Several builders developed guitars with solid bodies to overcome this problem.

The first successful commercial guitar of this type is the Fender Esquire, commercialized by Leo Fender in 1946. The Esquire became the Telecaster and Fender went on to create the legendary Stratocaster guitar in 1954.

These guitars use a solid piece of flat wood about an inch thick with a neck attached to it. The magnetic pickups are mounted in this solid piece of wood which vibrates less than the table of a hollow guitar to avoid feedback problems.

Names such as Fender with its Telecaster and Stratocaster and Gibson with its Les Paul model became icons of the rock era. These guitars are also used in many other styles such as the blues, funk, jazz, pop, country, just about anything in fact.

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Photo by momentcaptured1.

25 June 2010

The Best Songs to Teach Children Who Are Learning Guitar

When you look for the best songs to teach children who are learning guitar the first ideas that spring to mind might be nursery rhymes or well known traditional songs. You might even think of some famous classical airs.

But while all of these can have their place, not all children find them interesting and stimulating. So here are some ideas to help you to find songs to teach children who are learning guitar.

Create A Connection

Motivation is very important when it comes to teaching children. Unlike adults, children will rarely work their way through something they don't find appealing in order to achieve a longer term goal. You have to engage their attention and enthusiasm right from the start.

A good way to motivate children is to show them a song they can make some connection to. Get to know the child you're teaching and find out about them, learn about their life, their interests and the events that happen around them. Then find songs that fit that.

If a child has a dearly loved pet rabbit, then find them songs about rabbits. Or learn what their favourite television shows or films are and teach them the music from those.

Pop Charts

Familiar nursery songs might be the thing for some children, but for many others, particularly older children these will be rather has-been. Your favourite rock hits from the 60s or 70s may also be unknown and poorly appreciated by children.

Instead of despairing their lack of musical culture, take a look at some of the latest music from the pop charts. Those trashy pop songs aimed at pre-teen kids that many musicians find of little worth are actually adored by children.

Older children and teenagers will probably also be very interested in pop, rock, R&B, rap and other modern music styles. You can find many three or four chord songs in these styles that can be arranged for them to play.

Leverage Their Creativity

Another way to capture a child's interest is to tap into their natural creativity and curiosity. You can achieve this if you help them to make up their own songs.

Give them a chord progression to play and let them create their own words to sing over it. You could also give them a few chords and let them make up songs themselves by stringing them together however they like.

Another good alternative is to help them to figure out simple melodies by ear, twinkle twinkle little star, frere jacques, happy birthday, or the theme from Star Wars are just a few examples that kids I've known have enjoyed learning.

Two-Chord Songs

Easy songs that children can learn quickly are helpful to keep motivation high. There are plenty of two-chord songs that fit this bill.

Many of these, such as Hush Little Baby or Oh My Darlin' Clementine, are well known classics. You can also find pop songs by the Beatles (Paperback Writer, Eleanor Rigby), Bruce Springsteen (Born In The U.S.A.), Oasis (Songbird) and others that could please older children and teenagers.

Conclusion

If you are teaching or helping a child to learn guitar then remember these principles to find the best songs to teach them.

  1. Create a connection, choose songs the child can relate to.
  2. Use the latest pop charts, they'll love learning their favourite hits.
  3. Harness their creativity, kids love to create their own music.
  4. Two-chord songs, their simple structure makes them easy to learn.

When you offer children music they connect with and are interested in their motivation to learn will be higher. You'll encourage their love of music and of their instrument and make your life as a teacher easier too.

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Photo by Jim Sneddon.

24 June 2010

5 Ways To Amplify Your Electro-Acoustic Guitar

I've been looking for a new system to amplify my electro-acoustic guitar because I was unhappy with the sound I get when I plug straight into the amplified console used by the band I play in. In a survey of reviews and discussions I found five basic amplifier setups that most acoustic guitar players seem to use. Here is a brief round up of the five solutions.

1. Direct To A Mixer or PA

A simple solution for many situations is to plug your guitar output directly into the mixing table of a PA system. Many music venues have a house PA system so you don't need to carry extra equipment around, just your guitar and a cable. Such PA systems usually deliver plenty of power so obtaining loud enough sound is not a problem.

On the downside, the sound of your guitar is at the mercy of the PA system it's plugged into. You might find a portable PA that makes your guitar sound good, but if you use house PAs you may find some sound less than satisfactory.

2. Pre-amps and Effects Units

Pre-amplifiers or effects units designed for acoustic guitars obtain the favours of some players. Boxes designed for piezo or magnetic pick-ups can help to enhance the output signal to create a more "acoustic" guitar sound before sending it to a PA amp.

Devices that receive favourable reviews include Boss AD-5, Zoom A2.1u, Fishman Pocket Blender, products from LR Baggs, and tube pre-amps. I personally tried out the Zoom A2.1u but I found it did little to enhance the sound when going through a PA amp.

3. Acoustic Guitar Amp

There are many amps specifically designed for acoustic guitar. Many of these amps have circuitry designed to convert output from piezo or magnetic pick-ups into a more realistic acoustic sound.

Acoustic amps are also quite small and portable, with only a single box to carry around and less cables to set up. For small venues and situations where you don't need a lot of power they are an excellent solution. For situations that require more power, several players run the amp's line-out to a more powerful PA system, using the amp as a stage monitor.

4. Electric Guitar Amp

A solution preferred by some players is to plug their guitar into an electric guitar amp. Such amps are not designed to reproduce the sound qualities of an acoustic guitar, but some players enjoy the warm sound of old tube amplifiers.

I've tried this kind of amp with my electro-acoustic and it does work well for some styles of music. Of course, if you play both acoustic and electric guitar this also reduces the number of amps you need to buy.

5. Bass Amp

A number of acoustic guitarists report very good results from bass amps from Carvin and Peavey. Piezo pick-ups can produce annoying high frequency sounds when strongly amplified. A bass amp's lower frequency response can soften these sounds to give a pleasing result.

If you use this solution look for a bass amp with a good overall frequency range and equalization that allows you to turn down the bass frequencies so they don't overwhelm your sound.

That summarizes the basic options you have to amplify your acoustic guitar.

One thing I have learned while researching solutions is that there seems to be no clear solution that suits all players tastes and all playing situations. Regardless of the equipment, there is always somebody unhappy with it and somebody else very happy with it.

So I'm heading to my local music shop to test out as many different options as I can to make up my own mind.

Resources

Acoustic Guitar magazine surveys some famous player's favourite acoustic amplification systems.

Some amps with good reviews (often expensive models)...

  • Ultrasound Amps
  • AER
  • Rivera
  • SWR California Blonde
  • Peavey Session 2000 Stereo Amp
  • Carvin AG100D
  • JBL EON 10 or other powered speaker
Some less expensive acoustic guitar amps with good reviews...
  • Marshall AS50D
  • Roland AC-60

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21 June 2010

How Do You Record Your Guitar Poll Result

Last week the guitar recording poll came to an end, so it's time to present the results... 126 voters participated in the poll and three options stand out from the crowd in the results.

  • 45 of you use a computer to record your guitar
  • Almost as many, 40 of you, don't record your guitar
  • 35 of you use a portable digital recorder

The full results are shown in the picture below.


As you can see, following on these two top categories a lot of you use a mobile phone to record on. I used to use a small USB stick size mp3 player, but I recently switched to my mobile phone's voice recorder to record my acoustic practice. It's portable, quick and easy to use, and gives reasonable results.

I also use my computer to record stuff at home, simply plugging a jack into the PC line or microphone input. There is plenty of different recording software around, but I have always had good results with Audacity.

For band practice we use a Zoom H4 which is quite popular among the digital recorder votes. The H4 gives good results recording an amplified band in our rehearsal room, managing to capture a well-balanced sound from the mix of amplified instruments and acoustic drums.

There are many different ways to record your guitar practice, some more suited to particular situations than others. If you already have a mobile phone or computer then you can do a lot of quite satisfactory recording for almost no effort or cost. Why not give it a try...?

Resources

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18 June 2010

Funky Rhythm Guitar Lesson

Here's a nice funky rhythm guitar part I'm going to practice this weekend. Sounds great, isn't hard to play, and is easy to follow with video filmed from several angles at normal and slow speeds as well as tab.

Hop on over to Pro Fuzz to enjoy this funky rhythm guitar lesson.

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16 June 2010

Rhythm Guitar Riffs On I-IV Chord Progression In E

Here's a simple rhythm guitar part that uses ideas from my recent lesson Easy Guitar Riffs To Practice. It's a simple I-IV chord progression that might form the verse of a song. The chord riffs are based on open E major and A major chord positions.





You can download the free printable PDF version of this Rhythm Guitar Riffs On I-IV Progression In E.



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15 June 2010

Great Acoustic Guitars - Gibson Hummingbird


There are some guitars that just grab your imagination and don't let go. Ever since I heard Chris Lancry, a French blues guitarist, on a Gibson Hummingbird I have been captivated by this beautiful guitar.

The Gibson Hummingbird is one of the most visually distinctive acoustic guitars around. It's cherry sunburst finish and distinctive decorated pick guard make it stand out from the crowd and its acoustic qualities have ensured it a privileged place in the history of rock and folk music.

Designed For Singers

The Hummingbird is a square shouldered dreadnought introduced by Gibson in 1960. It was designed with the singer in mind, the sound is not extremely loud like some other dreadnought acoustics but has a sweet, balanced tone that supports the singers voice without drowning it out.

The Hummingbird has a rich woody tone and is recognized as playing exceptionally well. In 2000 Acoustic Guitar awarded it Player's Choice and described the sound as "The Hummingbird has a very wide range of sound, from gutsy and loud, to sweet and soft. Superb for all styles of playing, whether just chording or playing intricate solos."

Mahogany Body

Beneath its eye catching finish lies a solid spruce top and mahogany back and sides. It has a straight bridge made of rosewood with a plastic saddle and bridge pins. The cherry sunburst finish is surrounded by a white binding.

The neck is made of high quality rosewood with mother of pearl trapezoid shaped fretboard inlays. The headstock is equipped with gold tulip shaped Gibson tuners.

Over the years a few models were made in natural or vintage sunburst finishes too.

Reviews

Reviewers of the Gibson Hummingbird are unanimous, it is the one guitar they would never part with. Many find some small fault with different aspects of the guitar, but despite this they all admit that it is the most attaching and durable guitar they have owned. This speaks volumes for the guitar's sound, feel and quality.

Vintage Hummingbirds from the 1960 to 1965 period are most prized. But the new models made by Gibson in their Montana factory are very highly considered, Gibson seeming to have renewed with the quality that made it a legend.

One day I am going to get hold of one of these beautiful Gibson Hummingbird for myself, but in the meantime I'm still dreaming of this beautiful bird. Here are a few views of it in action to enjoy.

Gibson Hummingbird



Gibson Hummingbird Blues



Gibson Hummingbird Layla Acoustic



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14 June 2010

6 Portable Guitar Recorders

Recording your guitar playing and practice is a great way to identify strong points and weaknesses to improve and keep a record of your progress. Modern digital audio recorders make this easier than ever before to do.

A few years ago the most common recording solution was a tape recorder. But this meant lots of winding backwards and forwards and recordings were difficult to store and find again.

Digital recording devices now make it easy to record, playback, mix and manage your guitar tracks. Pocket sized recorders can store many hours of recordings and there's no more rewinding. Here is a selection of six portable devices that make excellent guitar practice companions.

Zoom H2


Zoom's H2 digital recorder is well suited for both acoustic and electric guitar players. It has 4 built-in directional microphones for stereo acoustic recording or 1/8" mic or line input jacks for instrument or mixer outputs.

Audio is stored on an SD card of up to 32Gb which can store up to 50 hours of recordings. You can easily transfer your music to a computer via the SD memory card or USB connector. It also offers a built-in metronome and chromatic tuner.



Zoom H4n

A more recent upgrade to the H2 the Zoom H4 has onboard X/Y condenser mics to allow stereo recording patterns at either 90 or 120 degrees. It also adds a high-quality pre-amplifier for more precise audio recording.

For guitar players, the H4 is an improvement on the H2. It has a phrase trainer with tempo control from 50% to 150% without altering pitch, 50 onboard DSP effects and guitar amp models and a 1/4" guitar jack so you can plug straight in. It also offers a powered XLR input.

The H4 can record up to 4 channels from the two internal microphones plus external microphones. You can also use it for 4 track overdubbing and mixing.



Tascam DR-07, GT-R1

Tascam is a long time player in the music recording department and offers two interesting digital recorders for guitar players.

The DR-07 is an all-purpose portable digital recorder with internal stereo microphones. You can plug in an external instrument or microphone via stereo 1/8" jacks.

The DR-07 has useful playback features that allow you to loop mp3 files or sections of them. You can also adjust the tempo without changing pitch or change the key.




The GT-R1 is more clearly targeted as a guitar practice tool. As well as the usual recording features via the internal microphones or 1/4" instrument jack it also offers amp simulation and a guitar multi-effects unit.

For guitar practice there are 80 rhythm tracks and an overdub function so you can record over backing tracks or your own backing recordings.

Audio is stored on a 2GB SD card and a USB connection allows it to be stored to computer.

Boss Micro BR
A strong point of the Micro BR from Boss is its size, only slightly bigger than an iPod and weighing 130g it offers maximum portability.

Despite the tiny size the Micro BR is a four track recording studio with 32 virtual tracks to create mixes. It offers a 1/4" jack input for guitar or bass as well as internal mic and stereo line-in/mic jack.

Useful features include a drum machine with 300 rhythm patterns and a multi-effects processor with amp-modelling. You can also adjust tempo without changing pitch and remove lead guitar or vocal from pre-recorded songs with center cancel.

The Micro BR records to SD cards up to 1GB for up to 755 minutes recording time and has a USB computer connector.

Line 6 Back Track

The Back Track from Line 6 introduces an interesting concept, once switched on it records any audio signal it detects through its microphone or 1/4" jack input. No more stopping and starting, the idea is to simply switch on and forget it.

A "Mark" button can be used to mark the audio just recorded as special, separating it for easy review later. Audio is retrieved via a built-in USB interface for storage or editing on a computer.

The Back Track has 2GB of memory that can store up to 24 hours of audio and claims a battery life of 8 hours.

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11 June 2010

Free Guitar Not To Do List To Print


A few days ago my Guitar Practice Tip To Reduce Distractions post received an enthusiastic welcome from many readers. To help you get a grip on the things that distract you from learning guitar I've created a free template that you can download and print. Click here to download the PDF file.

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Image by Torley.

10 June 2010

A Musical Hero You Must See

Dear readers, please do yourselves a favour and take the time to view this 3 minute video about a real music hero. If this doesn't inspire you to play guitar better and live better I don't know what will.

Thanks to Rob at Heartwood Guitar for sharing this with us.

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9 June 2010

2 Chord Guitar Song - Songbird by Oasis

Today's 2 chord guitar song is Songbird by Oasis. G major and E minor are the two easy chords you'll need for this one. Should be fairly easy to figure out where the changes are by listening to the song in the video clip below.



Enjoy this one, little songbirds everywhere.

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8 June 2010

Learning to Play Guitar - Easy Guitar Riffs to Practice

If you're learning to play guitar then these easy guitar riffs will help you to create interesting sounding rhythm backings. Many popular songs were made famous by their catchy guitar riffs, and with the skills you'll learn in this lesson you'll learn how to play riffs of your own.

In this lesson you'll learn how to play riffs by building on basic chords and strumming skills. We'll discover six easy guitar riffs to practice on E major and A major chords. You'll need to understand tab notation to follow the lessons.

E Major Chord Riffs

Let's start with some easy riffs based around the open position E major chord. This position should be familiar to any guitarist, the riff is easy to play with only one extra note to finger that creates some movement in the high notes.

Form an open E major chord as usual and use your little finger (pinky) to play the note at the second fret of the second string. This note is the 6th of the chord, so technically you play an E6 chord on the beats where it is present.


You can use this note on any of the beats and with different rhythm patterns. Experiment with some riffs of your own using just this note, you can create a lot of riffs.
In the next riff we're going to add another note to this riff. The flatted 7th of the E chord at the third fret of the second string creates a blues sound.

Try the example below, use your little finger again for both the notes on the second string.


Once you get the hang of this you can create many more riffs with the same notes. Here's another example with a different rhythmic placement for the notes.


Now let's take a look at how these ideas can be applied over an A major chord.

A Major Chord Riffs

The 6th and flatted 7th notes of the A major chord are found on the first string near to the open position A major chord.

This first riff uses only the 6th at the second fret of the first string to give you an easy introduction. Use your little finger to play this note. Ensure that the last joint of your fingers is perpendicular to the fretboard to make this easier.



In this second A major example we've added the flatted 7th too. Use your little finger to play both notes.


Experiment with different rhythms and placements for the three notes on the first string. You can make up lots of riffs in this way.

To give you a few more ideas for your own riffs, here's a final example that introduces a new rhythmic idea. The strummed notes are mixed with some muted notes marked by x in the tablature.

Mute the strings for these notes by resting the side of your right hand palm (assuming you are right handed) lightly on the strings near to the bridge of the guitar as you strum. You should get a muffled percussive sound from the strings.


Learning to play guitar with these easy guitar riffs to practice will help you create fun and interesting rhythm parts.

Download this Easy Guitar Riffs To Practice Lesson in printable PDF format for free.

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7 June 2010

Could Tiger Woods Make You A Better Guitar Player?

Many times I have been overwhelmed by the seemingly huge number of things I needed to master to achieve the level of guitar playing I wanted.

Faced with so many options it is not easy to find a path to better and more satisfying playing.

But here's an example from golf champion Tiger Woods that shows us that small, seemingly insignificant improvements to our guitar skills can give big results.

I came across this brilliantly inspirational quote in EZine Articles interview with Andy Britnell.

"Tiger Woods' average round is only about 3.5% better then the golfer ranked at number 100. He earns millions more by being only a few percent better. Which means you only need to improve by a few percent in order to get much better results."

The significance of this statement immediately hit me, but was it really true? I checked the figures. According to PGA statistics Tiger Woods average score in 2009 was 68.05. The 100th ranked player, Brett Quigley averaged 70.87, which works out to 3.97%, close enough to three and a half. The same result shows up for earlier years too.

If only a small percentage can make such a difference to these golfers, then surely it can do the same for playing guitar.

Small Improvements

There are still just as many hurdles and obstacles on the route to becoming a really good guitar player. But these obstacles become much less intimidating if I work on only one small improvement at a time.

All I need to do is find the little 3.5% improvements I need to make. I began to think about my own guitar playing, and immediately thought of a whole bunch of these...

What I Could Improve (Without Too Much Effort)

  1. Learn just a few new chords or chord fingerings
  2. Fix a couple of problem chord shapes I always have difficulty passing at speed
  3. Increase the tempo I can maintain before my playing breaks down by a few bpm - if you go from 84 to 87 bpm that's 3.5%
  4. Learn and master just a couple of new guitar licks - you'll improve 5% if you know 20 licks and learn just one more

None of these things seem very hard to do, with a little diligent practice I'm sure I can achieve them.

What Could You Improve?

If you feel that your guitar playing is not as good as you'd like it to be and that the gap to becoming better is simply too huge you can take heart from this lesson brought to us from the golfing world.

What little "3.5%" improvement do you need to make to your playing? Choose one small improvement and make a plan to DO it so you reach the next level. Share your 3.5% improvement goal as a comment to make it more real for you and have us encourage you on.

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Photo by Brian O'Donovan.

3 June 2010

Flatpicking Bluegrass Guitar Bass Runs

Here's a video showing some bluegrass bass run flat picking techniques. The runs here over G, C and D major chords use notes from the major and blues scales.



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2 June 2010

Guitar Pro 6 Reviews Round Up

It's now been a little over a month since the latest version of Guitar Pro was released and I am wondering whether to get the new version myself.

I decided to see how the new version been greeted by users and what teething problems have been discovered or fixed since its release. Here's a summary of what I found people are saying about Guitar Pro 6 around the Net.

User Interface

The new user interface is widely welcomed by practically all reviewers and commenters. The interface is slick and well organized for most common tasks. One reviewer did report that drum track input was harder than before though.

Score Features

Guitar Pro 6 has added a number of new notation features. Included are double accidentals, free-time bars, double-dotting, accented notes, rasgueado, grace notes, ornaments, slash notation...

Score formatting is controlled by a stylesheet, so you can customize appearance of your scores too if you wish to.

RSE Sound

David Boles offers this view on the new sound technology as part of his Guitar Pro 6 review,

"If you do any musical computer work, you’ve been exposed to lots of horrible sounding MIDI instruments and voicings — but with GP6's RSE technology, your ears won’t bleed — because the modeled sound is rich, full and rounded."

Pretty much all reviewers agree that RSE is a strong point.

GP5 Compatibility

One of the main gripes I have seen reported is the lack of backwards compatibility with Guitar Pro 5. This mostly comes from some users of Guitar Pro 5 who feel forced into an upgrade so they can read files from favourite sites distributed only in the new GP6 format.

Others have found that files from older versions of Guitar Pro don't play the same in Guitar Pro 6 and require some tweaking to set volume and sounds.

If you share files with GP5 users then you might want to stick to GP5 until these problems are solved.

Mac Version

Mac users are happy that the new version of Guitar Pro is the first that works well on the Mac. Audiofanzine describes its experience with Guitar Pro 6 on the Mac.

There is more interesting info and comments for Mac users in Ukulele Hunt's review.

Download And Install

A small number of people seem to have had problems downloading and installing the software. But many have commented that the process was easy and trouble free. Difficult to know the real story on that one...

There are conflicting reports too on support from Arobas, the software's developers. Some have reported difficulty in getting response but others have been happy with quick responses and resolution of problems.

In Summary

Most users and reviewers seem to be happy with Guitar Pro 6 and consider it an improvement on the predecessors. The main complaints seen here and there are about reliability and the lack of backwards compatibility with Guitar Pro 5.

But files from newer versions of software often cannot be read by older versions. New features can make this hard (i.e. costly) to achieve, and Guitar Pro 6 is sold for a very low price. Remember too, that there is nothing to stop sites offering lessons and files in both GP5 and GP6 format.

At the end of the day, the upgrade from Guitar Pro 5 to 6 costs less than $30. Compared to the value of the many free, high-quality guitar tabs you can download, view, play or create with it I think it's a price worth paying. I'm going to be getting my copy of Guitar Pro 6 very shortly.

More Reviews

Check out these reviews for more opinions on Guitar Pro 6...


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1 June 2010

Guitar Practice - A Tip To Reduce Distractions

How many times do you get distracted from your guitar practice goals? If you're anything like me then more than is good for your guitar playing...

I'll create a practice plan to work on a style or technique for the coming week, but after a few days I find myself not very far advanced with my plan. I'm getting near to the end of the week and I'm not making the progress I wanted on my original goal.

In the meantime I've strayed from my list of exercises or songs to work on some new lesson I happened across in this months guitar magazine, on You Tube, or on one of my favourite web sites. Distractions are all around us, and when we have some hard work lined up they have a funny knack of becoming all the more attractive to us.

Not To Do List

One tool I've found helpful in these situations is a "not to do list". Everybody is familiar with the to do list, a simple list of things you want or need to do on anything from a piece of scrap paper to a computerized planner.

Well, the not to do list is similar, but the things you put on it are the things you want NOT to do. Then you keep the list in a prominent place near your guitar.

My not to do list varies but an example might be something like this.

  • Not visiting You Tube for new guitar lessons
  • I will not search for tab to new songs I hear on the radio
  • Not spending time searching for new guitars or equipment that I don't really need anyway
  • I will not practice soloing techniques this month
  • I will not spend time on new songs outside my practice list

How A Not To Do List Helps You

The not to do list helps you to become more aware of the things that distract you from your practice goals. The list takes all the things you know are likely to happen and puts them right there on a sheet of paper you can keep in a prominent place near your guitar. The list will help you to catch yourself whenever you start to get distracted and help to put you back on track. It's like having your own little Jiminy Cricket sitting on your shoulder and acting as a conscience for your guitar practice.

All the things on your not to do list might well be valuable guitar skills, but that's why they are so dangerous. It's not like you're just goofing off to watch TV or anything but when you have decided to focus on building or improving a particular aspect of guitar playing you need to keep your focus and keep these dangerous distractions at bay.

If you're serious about getting control over your guitar practice distractions create your not to do list for the coming month now. Think about the distractions you usually fall prey to and write them down on a sheet of paper.

Refer to your list regularly over the coming month and see how many of them you can avoid. Turn it into a fun exercise by making it a game with yourself. Revise your list regularly as your practice goals change and keep moving up to the next level of guitar playing.

Download a free Guitar Not To Do List template to print and use.


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